Pedals
This pedal is used but in great condition - Box included
- Two-Channel Clean Booster
- Independent Input/Output jacks and Bypass switch for each channel
- True Bypass Switching
- Clean channel with +20 dB of flat boost
- Vintage channel with +20 dB of mid boost
Cocoa is a versatile gain pedal, offering anything from a clean boost, smooth overdrive to harmonic-rich distortion. Her Soft/Hard operation modes allow the user to achieve different distortion profiles, while simple and efficient tone control helps in taming high frequency content of the output signal.
Caffeine is a Booster pedal perfect for boosting the volume of your instrument, pushing your tube amp into more “crunchy” territory, providing an additional channel of gain to your dirt pedals or simply enriching the harmonic content of your signal.
Fuzzytale is a Fuzz Face distortion and is designed to capture the legendary 60’s Dallas-Arbiter Fuzz Face warm and rich vintage fuzz tone, provided by NOS hand-matched Russian germanium transistors.
Straight Flush is the single version of the famous Royal Flush overdrive. The GAIN toggle switch channel gives the ability to choose between the LOW Gain touch responsive overdrive and the HIGH gain amp-like distortion.
Riff Raff MKII
Dual Overdrive
The Riff Raff is a smooth and creamy asymmetrical silicon overdrive pedal.
Two channels, with independent Volume and Drive controls, sharing one versatile tone control.
Channel 2 has a dedicated gain boost switch, delivering more gain and punch, making it even rounder and more satisfying.
Fully detailed, rich and beefy tones render this pedal perfect for every style, delivering the ‘mojo’ of a vintage TS with a modern touch.
It can be used as a stand alone overdrive pedal or as a booster to push an amp for extra bite and sustain.
Specs
- Handmade in Athens, Greece
- True Bypass
- Asymmetrical silicon Dual Overdrive
- 1 Drive & 1 Volume control for each channel
- 1 Tone control for both channels
- Boost switch for channel 2
- 1 Heavy Duty Foot-switch for selecting between Channel1(Green) / Channel2 (Red)
- 1 Heavy Duty Foot-switch for enable / disable the pedal
- Internal 9V battery clip
- Power supply : regulated 9-12V DC (center -)
- Max power supply : 9mA @ 9V DC
- Heavy duty & light weight aluminum box
- Dimensions : 129mm(Width) x 96mm(Length) x 52mm(Height)
This is the Dazatronyx Big Fuzz pedal. This is by far the best Fuzz I can recall testing out since I first started making videos on YouTube. I have never been a fuzz fan because they simply didn't sound like this! Smooth, Fat, Thick, and round... yup! It rocks.
The Big Fuzz is a muff circuit, which has been made to factor all of my favourite elements from the many various models. Further, some improvements have been made to improve user interaction. This includes increased bass, and improved bass clipping response, improved tone control functionality, and fine tuned top-end clipping response and smoothing.
The classic design varied greatly over the years, being made in various locations to different schematics and ever-changing component values. One large reason I suspect some models are still higher favoured now, is for their amount of mid-scoop. This is a famous love-hate element of the circuit. However, having this second tone knob adjustment is incredibly helpful.
There are two internal mod switches to independently change the gain stages. This goes from the Russian style lower gain, which is famously a bit smoother and proportionately warmer in the top-end, to the modern NYC high gain which is a bit more aggressive. Combing this with the mid knob means you can achieve tones alike to many releases.
There is also an internal mod switch to transform the circuit to work as a Supa Fuzz (Marshal, Sola Sound). This has a huge bottom-end wrapping, and is the preferred mode for bass players.
Caline C-300 6 in 1 Effects Pedal This is a 6 in 1 effects pedal from Caline incorporating clean/off-clean boost, overdrive, distortion, chorus, delay, and reverb! It also has a tuner.
designed to combine in the best way modulation and distortion, the BÊTE NOIRE © recreates plexi tube amp natural distortion with a complete array of controls, and features an inboard vintage analog Phasing effect ideally mixable or used separately. A newly engineered circuit tailors The BÊTE NOIRE © amp-like distortion, giving phasing modulation perfect room size to breathe. – European quality construction – New plexi distortion circuit – “Brown” switch mode – “Variac” gain control – Built-in analog phasing – Effects can be used separately or mixed to perfection – New “Chomp” bass attack control – Acclaimed Silent True Bypass switch – 9v standard operation
A single combined Attack/Release control takes care of these often misunderstood parameters, guiding you through the most useful combinations while avoiding the less useful ones. Add in a simple high/low ratio switch and you get tons of flexibility without the complexity – instant gratification guaranteed!
The ratio switch provides 4:1 and 20:1 settings. We sourced a number of original 1176 units and chose to match our compression curves to the best sounding unit, which displayed compression curves closely matching those shown in the first Urei manual.
4:1 tends to work best on guitars equipped with humbuckers, as well as bass guitars. The higher ratio setting on the Cali76-C is great for creating pronounced compression effects, such as a country-style squash.
- 1